Showing 25–36 of 55 results
Product categories
- AUDAC
- ACCESSORIES
- ACTIVE AUDIO TRANSCEIVERS
- CEILING LOUDSPEAKERS
- COLUMN LOUDSPEAKERS
- COMMERCIAL AMPLIFIERS
- CONNECTION PLATES
- GOOSENECK MICROPHONES
- HANDHELD MICROPHONES
- HIGH PERFORMANCE LOUDSPEAKERS
- HIGH SUBWOOFER LOUDSPEAKERS
- HORN LOUDSPEAKERS
- MATRIX PROCESSORS
- MODULAR AUDIO SYSTEMS
- PAGING
- PENDANT LOUDSPEAKERS
- POWER AMPLIFIERS
- POWER AMPLIFIERS with DSP Processor
- PUBLIC ADDRESS AMPLIFIERS
- RELAY GROUPS
- STEREO PREAMPLIFIERS
- UNIVERSAL CONFIGURATION & CONTROL UNIT
- WALL LOUDSPEAKER
- WALL MOUNT SUBWOOFERS
- WALL PLATES
- WALL/CEILING LOUDSPEAKERS
- AUDIOCENTER
- D.A.S. Audio
- HICON
- MARANI
- MIPRO
- SOMMER CABLE
MIPRO
AT-70W
AT-90W
BC-100
Boundary Microphone Base
- BC-100 II has a built-in high-sensitivity condenser microphone capsule module that can be independently used as a boundary microphone.
- BC-100 II can connect with MM-series 4-Pin gooseneck microphone as a wired conference microphone.
- Accepts MIPRO ACT-TC series bodypack transmitter as a wireless conference microphone. It can be charged using the included adaptor, no need to remove the transmitter.
- A balanced XLR connector for any mixer supplying phantom power and a switch to select the audio source from either the inner boundary microphone or the optional gooseneck microphone.
- Press the button to TALK position, the green indicator on the base and LED ring indicator on the MM-206L / 205L / 204L will light up. Press it again to MUTE position, all indicators will turn off.
- The metal cover is equipped with anti-slip pads, ensuring the stability.
BC-100T
Gooseneck Microphone Transmitter Base
- BC-T Series encloses the transmitter PCB for wireless transmission and can also connect directly with MM-series 4-Pin gooseneck microphone for wired transmission.
- For wired transmission, the output jack requires phantom power from the mixer.
- For wireless transmission, the operational controls are the same as any ACT bodypack transmitter. A built-in 18500 Li-ion battery can be charged by an external charger or simply replace with another spare battery.
- Feature a TALK / MUTE button. When pushing the button to talk, the green indicator on the base and LED ring indicator on MM-206L / 205L / 204L will light up indicating the system in the state of speaking. Push the button again to mute the system and all indicators are off.
- A reinforced base and anti-slip pad for added stability.
E-8P
Professional In-ear Stereo Earphones
- High efficiency dual-dynamic coaxial driver.
- The detachable, flexible and high quality twisted cable features ergonomic fit, comfort, invisibility and brilliant performance.
- Provides excellent isolation.
- Replaceable silicone ear sleeves are available in three sizes for personal fit.
E-8S
FBC-73
MI-58R
5 GHz Digital Stereo Bodypack Receiver
- Stereo / Mono / Mixed output modes.
- EQ settings to suit the users’ preferences.
- A Ø 3.5 mm TRS jack provides left/right 100 mW @16 Ω output for earphones. Optional standard or professional Ø 3.5 mm TRS noise-isolating earphones are available.
- The system offers Engineer Mode (ENG MODE) so the sound engineers have full control in any live performance.
MI-58T
5 GHz Digital Stereo Transmitter
- Equipped with a graphic OLED, a rotary knob, an ACT™ sync button, an audio input set button, and the industry’s first LED indicators for clear identification of the input volume to prevent the loudest peaks.
- Ø 3.5 mm and Ø 6.3 mm dual earphone monitoring connectors and individual volume controls.
- The rear panel is equipped with two XLR and Ø 6.3 mm input combo jacks, two Ø 6.3 mm phone jack loop outputs, an ACT-BUS networking interface, TNC RF output connectors, and a DC 12 V power supply.
- Delivers < 25 mW output power (the maximum value depends on the telecom regulations of different countries) with an ON / OFF switch.
- Presets several interference-free channels, and can ACT™ sync to the receiver.
- With a high dynamic range stereo input combo jack, it can sustain the maximum output from any mixer.
- The system offers Engineer Mode (ENG MODE) so the sound engineers have full control in any live performance.